| INDEX | 1300-1599 | 1600s | 1700s | 1800s | 1900s | CROSS-ERA | ETHNO | |
| MISCELLANY | CONTACT | SEARCH | 
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| MISCELLANY |
MIDI files I have sequenced myself can be found at my own MIDI Archive. As I only do Early Music (late Renaissance to late Baroque), I had to borrow from others for the other periods. I found them at The Classical MIDI Connection, where some of my own files are also stored.
in order of appearance:
DE PERUSIO, Matheus (c.1380-c.1410), Puisque je sui pour loyaulte tenir, seq. by Gary Rich
DU FAY, Guillaume (1397-1474): Supremum est mortalibus bonum, seq. by Julian Pages
DUNSTABLE, John (c.1370-1453), Sancta Maria, seq. by M. J. Starke
VAN GHIZEGHEM, Hayne (c.1445-1472), De tous bien plane, seq. by Curtis Clark
DES PRES, Josquin (1440-1521): El Grillo, seq. by M. J. Starke
AGRICOLA, Alexander (1446 - 1506): O Venus bant, seq. by Curtis Clark
ISAAC, Heinrich (c.1450-1517): La my, seq. by Curtis Clark
COMPÈRE, Loyset (c.1450-1518): Alons fere nos barbes, seq. by Curtis Clark
FESTA, Sebastiano (c.1495-1524), L'ultimo dì de maggio, seq. by Curtis Clark
SENFL, Ludwig (c.1486-c.1543), Ach Elslein, liebes Elselein mein, seq. by Curtis Clark
ATTAIGNANT, Pierre (1500-1552): Dance Suite, seq. by Curtis Clark
de SERMISY, Claudin (c. 1490-1562): Tant que vivrai, seq. by Curtis Clark
ARCADELT, Jacob (c.1505-c.1560): Io dico fra noi, seq. by Faren Raborn
de MANCHICOURT, Pierre (c.1510-1564): Que puis je lors, seq. by Curtis Clark
di LASSO, Orlando (c.1532-1594): Matona mia cara, seq. by yours truly
di LASSO, Orlando (c.1532-1594): Un jeune moine, seq. by yours truly
MAINERIO, Giorgio (1535-1582): Schiarazzula Marazzula, seq. by Gigi Giorgetti
BYRD, William (1543-1623): The Sweet and Merry Month of May, seq. by Lorraine Ellis
BANCHIERI, Adriano (1568-1634): Fantasia "Eco", seq. by Mathieu Ouellet
MONTEVERDI, Claudio (1567-1643): Lasciate i monti, from L'Orfeo (1608), seq. by yours truly
MONTEVERDI, Claudio (1567-1643): Il Combattimento di Tancredi e Clorinda (1624), seq. by yours truly
MERULA, Tarquinio (c.1590-1665): La Cattarina (1637), seq. by yours truly
CAMPION, Thomas (1567-1620): Fire! Fire!, seq. by John Owles
RAVENSCROFT, Thomas (1590-1633): Remember O Thou Man, seq. by M. J. Starke
SCHEIN, Johann Hermann (1586 - 1630): Intrada for Cornet, Violin, Recorder, and Continuo,
seq. by Stephen Taylor
MONTEVERDI, Claudio (1567-1643): Ogni amante è guerrier (1638), seq. by yours truly
CAVALLI, Pier Francesco (1602-1676): Invan spendete l'oro, from L'Ormindo (1644), seq. by yours truly
CASTELLO, Dario (c.1621-??): Quarta Sonata a due, se. by M. J. Starke
CAMBERT, Robert (c.1628-1677): Overture to Pomone(1671), seq. by Stephen
Taylor
PURCELL, Henry (1659-1695): To the hills and the vales, seq. by yours truly
LOCKE, Matthew (1622-1677): Voluntary in F Major, seq. by Grant A. Colburn
LULLY, Jean-Baptiste (1632-1687): Marche Pour La Ceremonie Des Turcs, seq. by Joe Corporon
STRADELLA, Alessandro (1639-1682): Tra cruci funeste, from Il Corispero, seq. by Stephen Taylor
PURCELL, Henry (1659-1695): Come ye sons of art (1694), seq. by yours truly
PACHELBEL, Johann (1653-1706): Canon, seq. by Bob Nau
de MONTÉCLAIR, Michel Pignolet(1667-1737): Le Triomphe d'Amour, seq. by yours
truly
HÄNDEL, Georg Friedrich (1685-1759): Presti omai, l'Egizia terra, from Cesare
in Egitto (1724), seq. by yours truly
PERGOLESI, Giovanni Battista (1710-1736): Aspettare, e non venire, from La
serva padrona (1733), seq. by yours truly
HÄNDEL, Georg Friedrich (1685-1759): For Unto Us a Child is Born, from Messiah
(1742), seq. by yours truly
TELEMANN, Georg Philipp (1681-1767): Fantasia in D minor, seq. by Dan Szymborski
HÄNDEL, Georg Friedrich (1685-1759): Sinfonia from Theodora (1750), seq.
by yours truly
QUANTZ, Johann Joachim, (1697-1773): Menuet, from Trio in D, seq. by
someone who would rather not be named
HASSE, Johann Adolf (1699-1783): L'Aurora (c. 1760), seq. by yours truly
GLUCK, Christoph Willibald (1714-1787): Dance of the Blessed Spirits, from Orfeo
ed Euridice (1762), seq. by Joshua Kaufman
VALLOTTI, Francesco Antonio (1697-1780): Et in terra pax, seq. by Giorgio Pacchioni
BACH, Carl Philipp Emanuel (1714-1788): Solfeggietto, seq. by Daniel N. Hamilton
MOZART, Wolfgang Amadeus (1756-1791): Ouverture of La finta giardiniera
(1775), seq. by H. Heldstab
MOZART, Wolfgang Amadeus (1756-1791): Ouverture of Idomeneo, re di Creta
(1781), seq. by H. Heldstab
MOZART, Wolfgang Amadeus (1756-1791): Ouverture of La clemenza di Tito,
seq. by H. Heldstab
MOZART, Wolfgang Amadeus (1756-1791): Eine Kleine Nachtmusik - Rondo, seq. by
J. Thor
MOZART, Wolfgang Amadeus (1756-1791): Una bella serenata, from Così fan tutte
(1790), seq. by yours truly
MOZART, Wolfgang Amadeus (1756-1791): Wie stark ist nicht dein Zauberton, from
Die Zauberflöte (1791), seq. by Fred Nachbaur
SCHUBERT, Franz (1797-1828): Das Wandern ist des Müllers Lust, from Die
schöne Müllerin (1816), seq. by Peh Chen Siang, cropped by yours
truly
BEETHOVEN, Ludwig van (1770-1827): Für Elise, seq. anonymous
ROSSINI, Gioacchino(1792-1868): Se vuol ballare, from Il barbiere di Siviglia
(1816), seq. anonymous
VERDI, Giuseppe (1813-1901): La donna è mobile, from Rigoletto (1851),
seq. by Bill King
OFFENBACH, Jacques (1819-80): Cancan from Orphée aux enfers (1858),
seq. by M.Knezevic
DVORAK, Antonin: Slavonic Dances No.5 in A Op.46 No.5 (1878), seq. by David
Siu
DVORAK, Antonin: Slavonic Dances No.10 in Emin. Op.72 No.2 (1886), seq. by Yasukawa
Toru
VERDI, Giuseppe (1813-1901): Triumph march from Aida (1871), seq. by
Ben Rozens
BIZET, Georges (1838-1875): Habanera, from Carmen (1875), seq. by Paulo
Norberg
BIZET, Georges (1838-1875): Toreador Song from Carmen, seq. by Joshua
Kaufman
GRIEG, Edvard (1843-1907): Morning Mood from Peer Gynt, seq. by Hans Joachim
Roeder
DELIBES, Léo (1836-1891): Flower Duet, from Lakme, seq. by John Schouten
SAINT-SAËNS, Camille (1835-1921) : Lions from Carnaval des animaux (1886),
seq. by Rashad Chichakly
SATIE, Erik (1866-1925) : Gymnopédie No. 3 (1888), seq. by John Dimide
SATIE, Erik (1866-1925) : Le Piccadilly, seq. John Cowles
ALBÉNIZ, Isaac (1860-1909): Tango in D Op.165 No.2 (1890), seq. by Tim Singer
MASSENET, Jules (1842-1912): Méditation, from Thais (1894), seq. by Michele
Tornatore
PUCCINI, Giacomo (1858-1924): Quando me'n vo, from La Boheme (1896),
seq. by Bill King
PUCCINI, Giacomo (1858-1924): Che gelida manina, from La Boheme, seq.
by Bill King
JOPLIN, Scott: The Entertainer (1899), seq. by L.D. Laitola
PUCCINI, Giacomo (1858-1924): E lucevan le Stelle, from Tosca (1900),
seq. by Paulo Norberg
ELGAR, Sir Edward (1857-1934): March No.1 in D, from Pomp and Circumstance,
seq. John G. Mayer, cropped by yours truly
STRAUSS, Richard : Salomé, seq. unknown
LEHÁR, Franz (1870-1948): Ouverture from Die fröhliche Witwe
(1905), seq. by Dr Goninet
RAVEL, Maurice (1875-1937): Le Tombeau de Couperin, seq. by Ramón Pajares Box
Ain't Misbehavin' (details unknown)
JOPLIN, Scott: Magnetic Rag (1914), seq. by Warren Trachtman
JAMES HUBERT "EUBIE" BLAKE (c1883-1983): Fizz Water (1914), seq. by Warren Trachtman
LEWIS, Meade Lux: Honky Tonk Train Blues (1918?), seq. anonymous (found at DocDoc's)
FALLA, Manuel de (1876-1946): Danza del Fuego, seq. by Luis Perez
GERSHWIN, George (1898-1937) American: Rhapsody in Blue (1924), seq. by B. Travis,
cropped by yours truly
WEILL, Kurt (1900-1950): Mackie Messer Song, from Dreigroschenoper (1828),
seq. anonymous
WEILL, Kurt (1900-1950): Kanonensong, from Dreigroschenoper (1828), seq.
by David Siu
RAVEL, Maurice (1875-1937): Bolero (1928), seq. by Jim Bull, cropped by yours
truly
ORFF, Carl (1895-1982): Carmina Burana (1938), seq. by Rashad Chichakly/John
Cowles, cropped by yours truly
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